Oliver Johnson immerses himself in a long and complex process in which colors are applied to the support in countless layers with which he constructs transparent surfaces that together evoke a form of illusion as experiments within the frame, a series of methodical rules and color guidelines. expressing a space that cannot be perceived in any other way than in person. Its multiple glazes create a gap between the surface and the support, through which the light penetrates, causing a special effect, overwhelming and meditative at the same time.

His works reflects an experience that can hardly be translated into words.

In the work of María García Ibañezthe slow process becomes an end in itself that reveals the futility of an apparent reality. Her work involves systems of cells, understood as the minimum unit of representation that allows the artist to articulate other relationships between materiality and representation. Between the message and the structure that forms and sustains it.